Showing posts with label calligraphy. Show all posts
Showing posts with label calligraphy. Show all posts

Friday, December 16, 2011

An Overused Word


















A couple of years ago I did a lot of drawing for a retail client in New York. As usual it was more than they could ever use. Most never got past the pencil stage. Luckily I hang onto pencils. I ran across a few of them in a folder the other day and got to playing with them. How do you make a cliché like "SALE" fresh and new? How do you make it eye-catching? You play with it. Like a jazz artist playing variations on a familiar tune.

Thursday, October 20, 2011

Every Day









"He that has and a little tiny wit--
With hey, ho, the wind and the rain,--
Must make content with his fortunes fit,
For the rain it raineth every day."

This song from Shakespeare was running through my head while I was doing this bit of lettering and decorating it with leaves and flowers. It's from Lear (although I remember it better from the Richard Eyre film version of Twelfth Night.) Whatever: it will almost suffice for a present day that has very little philosophy in it. Do your work, every day, rain or fair weather. And enjoy it.

Wednesday, October 19, 2011

Istanbul


















I did this map for the contents page of the special Istanbul issue of Das Magazin in Zurich. The art direction was by Christian Haas at Raffinerie. It's interesting to do a map of a place I've never been to in a language I've never been able to read. But it turned out rather well, I think. I especially like the letterforms I created, and the varied size and heft of them. I'd still love to visit sometime. I've read about the place enough, I think I'd know my way around.

Monday, July 18, 2011

Handmade Covers


















When a book I want to read has a cover I dislike I wind up disliking the book, not wanting to read it. Does this make me superficial? Am I fussy? Reading is a sensual experience, which means it's visual too. What are eyes for? When I hate a cover I redo it. I cover it up and do a cover design of my own. The manila envelope is a bit primitive, but I like the feel of the paper, and the color reminds me of all the SASE's that went out and came back with short stories I'd written. I've used some of these. I don't get elaborate. Usually it's simple penmanship––or pencilmanship. This cover obscures an ugly cheap paperback edition from the 1980s. I decided Nancy Mitford deserved better.

Tuesday, May 10, 2011

Spring finally arrived and left again








I waited to post this till it had stopped snowing, but today it's predicted to hit 85. Summer already.