Wednesday, July 13, 2016

Another Drawing for the New York Times Editorial Page

I've been in the rotation this week doing some editorial illustrations for the Times. This editorial was about the secret rules that govern drone targeting and killing of terror suspects. Art director Sarah Williamson suggested the camouflage idea, and I thought of the idea of a curtain being drawn aside to reveal what is going on.

Drawing the drone and the hands and the missile were straightforward enough, but camouflage is harder than you think. It adds visual noise and pattern, and I tend to prefer simplicity, but keeping the palette narrow helped minimize the complexity. Making the hand match the brown tone in the pattern helped tie the image together.

Tuesday, July 12, 2016

A Drawing for the New York Times Opinion Page

 The Times editorial was about how Hillary runs against an unconventional candidate like Trump in swing states like North Carolina where the outsider candidate has a certain appeal. I tried to think what Trump reminded me of. A lot of personality types came to mind but the one that stuck was the junior high malcontent, the bully, the kid in the back of the classroom who shows his contempt for school by disrupting everything. Trump is the kid throwing paper airplanes when someone else is trying to speak.
 The Times needs an image to work both as a vertical and a horizontal for its print and online editions.

The first drawing I did showed Hillary from the side. Because the Times avoids likeness (and satirical caricature) I drew her hair and her outfit, which instantly identify her. In this version I shifted the Hillary figure into a gray tone.

Tuesday, July 5, 2016

Rococo Hairdos

To pass the time I like to draw faces. I have a bias toward men's faces; I think because I like drawing them eccentric or humorous and I hesitate to make fun of women. Does that make sense? Here I am making fun of the hair and doing my best to represent the women with dignity and respect. (Does anyone recognize the dark-haired woman lower right?)

Monday, July 4, 2016

Free Drawing the US Map


A Drawing for July 4th in this free range, freedom-worshipping, libertarian age. When you try to "free draw" something as complex as the map of the states you find how uneasily they sit together. The shape of one state is supposed to nest perfectly into the next but if you aren't rigorously measuring and following the exact outlines they don't match very well at all. Most Americans don't remember the time before FDR's various bureaus and departments knit the states together, and then Eisenhower's interstate highways locked them into a uniform grid. Then the television networks did the same invisibly and the only things dividing us were the time zones. For a period of four decades or so we really were E Pluribus Unum. Before FDR main roads traveling across one state often disappeared at the state border. Time zones and laws of commerce were willy-nilly. Citizens from the north driving across the south were viewed as foreigners. They were liable (if they weren't careful) to find themselves on the wrong side of the local sheriff. Southerners visiting the north encountered outrageous customs that were almost as outrageous as their own. After a pleasant interval we seem to be disuniting again, in opinions and sentiments if not legally.