Thursday, December 8, 2016
Wednesday, December 7, 2016
It's been a difficult month, so let's reward ourselves. I did these gelato delivery vehicles for an article about the logistics of gelato in Rome. Design by Pentagram/Austin. The art director was Julie Savasky.
Tuesday, September 13, 2016
Wednesday, July 13, 2016
Drawing the drone and the hands and the missile were straightforward enough, but camouflage is harder than you think. It adds visual noise and pattern, and I tend to prefer simplicity, but keeping the palette narrow helped minimize the complexity. Making the hand match the brown tone in the pattern helped tie the image together.
Tuesday, July 12, 2016
The first drawing I did showed Hillary from the side. Because the Times avoids likeness (and satirical caricature) I drew her hair and her outfit, which instantly identify her. In this version I shifted the Hillary figure into a gray tone.
Tuesday, July 5, 2016
Monday, July 4, 2016
Monday, June 20, 2016
published today by the Paris Review, was written a few years ago in a fond reverie but the story seems ironically, and sadly apt in the wake of each new outburst of mass gun killing. Looking back I can barely recognize my nine year-old self.
Thursday, June 16, 2016
Saturday, June 11, 2016
Friday, June 10, 2016
Wednesday, June 8, 2016
I get a lot of work from college magazines. Good ground for me to cover: books, areas of study, ideas, knowledge; my head is full of visual analogies for these abstractions. I generally draw a lot more than is used. This is one drawing I especially liked but the art director preferred another version I did. This one was more minimal, less colorful. They also thought the figure seemed too old. Dressed too old, I think, although when I was that age I remember trying to dress a bit older. A kind of disguise.
Monday, June 6, 2016
I did this poster to celebrate Steppenwolf Theatre Company of Chicago. The project was art directed by Ogilvy/Chicago. Twelfth Night is my favorite Shakespeare play and I've seen it and read it several times. The aspect that caught my imagination was the pattern of overlapping characters and the multiple faces of the characters in the play.
Friday, June 3, 2016
This illustration was for my regular back page slot in Macalester Today. Art director Brian Donahue let me try out this new style I'd been working in. I think it worked out especially well. This style requires clear outlines and a context that can be simplified. I also need to work from reference, especially for figures. The essay was about a marathon run in the desert, so a certain amount of my time was spent working out what actually happened; the idea of running a marathon on sand in extreme desert heat seemed so improbable it took me a while to get my head around it.
I did this map for Food + City magazine, art directed and designed by Julie Savasky of Pentagram/Austin. Having spent time in Rome eating gelato it was a delicious project. Too bad they don't send artists on location.
I did these illustrations recently for The Mockingbird, an Episcopal magazine designed by Tom Martin Design. A particularly fun project because I was given complete freedom to create imagery on the topic of church and religious ritual. It gave me a chance to create a lot of art using this new collage technique. These are just a few.